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Pete B

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Posts posted by Pete B

  1. Driving a woofer alone is a very inductive load and a zobel across it makes a lot of sense.

    It does not have to be a perfect match, I'd put 8 ohms, 50W in series with 4uF across the

    woofers.

    Was it the woofer or tweeter amp that failed.

    The other issue is a very light load allows that amp to go deeper into clipping (slowing down

    BJT output devices that can result in cross-conduction).  Any load will help avoid this so  22

    ohms 50W across the mid-tweeter might help in that regard.

    Was the system driven hard when it failed?

    Was it a 400 or 700 amp that failed?

     

    There was a post on DIYaudio where a top name in audio was testing a few amps with long

    (20ft?) speaker cables into speaker loads and two of them where showing oscillations due to

    the tweeter inductance.  .1uf in series with 10 ohms cured it and should probably be used in

    all speakers to avoid such issues.

  2. @brianw  Did you ever get plates made for a replacement tweeter?

     

    Sorry, got distracted with other projects and never posted the AR9 tweeter measurements.  Both

    of my tweeters measured fine with an ohm meter.  The foam gaskets were hanging off the back

    and stuck to the face plate in a few spots.  I pulled them off and now on tweeter measures open

    circuit, perhaps there was glue on the lead in wire - don't know for sure.

     

    Anyway, here's more on the 3D printer that I've been using:

     

  3. The YouTube person who complained about stringing got a lot of comments from other users

    who pointed out that one free "slicer" program works best with the Ender printers and that's 

    what I use.  No problems with stringing at all.

     

    I began to have trouble with the first layer sticking to the bed after about 50 prints.  The Ender 

    printers have a unique sandpaper like finish on the print bed, other people print on a smooth

    surface, some even use glass for flatness.  One of the first things you'll learn when printing on

    smooth beds is that you need to help the first layer stick, many use glue stick, some use hair

    spray.  I did not need anything for the first 50 prints or so and I've come to the conclusion that

    some of the rough surface has worn off so now I use glue stick and it works perfectly again.

  4. On 2/1/2021 at 3:34 PM, sparklow said:

    When I did the center cone repair on two NLA tweeters in the past I think that I could have changed the ferrofluid at that time. I was too busy trying to do the actual repair to add a ferrofluid change to the process, but it could have been done successfully I believe. Typically what are the sonic symptoms of a tweeter that require fresh ferrofluid?

    IMG_1815.jpg

    Burnt FF causes diminished output and/or a rise in the moving systems resonant frequency.

    Where did you get that replacement center dome?

    I have a working NLA tweeter with a smashed dome.

    I agree that if you cut the dome off, you can certainly add the FF inside the VC, and if a tiny

    hole was cut into the VC former a needle injector could be used to put some FF on the outside

    where it is really needed.

    The other issue is how to remove the old FF?

    I wonder if those glued on center domes have the same response as the originals.

  5. @Giorgio AR  Those are nice pictures of the woofers.

    Does anyone know the correct part number for the AR-6 woofer?  There is mention

    on here that the Xmax was quite high, higher than the other 8" woofers:

     Also was there a ceramic magnet version of the AR-6 woofer?

  6. I would guess that it can be changed but it would not be an easy job.

    I have a blown NLA tweeter that I believe was driven so hard that the insulation

    broke down and the voice coil shorted, then the current went way up and the

    red donut part of the cone was burnt brown under the tinsel lead in wire.

    I want to take a look inside and the red paper lip at the outer edge is already

    lifted about 1/3 of the way around.  Not sure what to use to release the rest of

    the glue.  Acetone or MEK perhaps.

  7. Enter 40 uf and 1.37 mH into this calculator, and you'll find that they resonate at 680 Hz which is

    probably the fundamental resonance of the UMR:

    https://www.omnicalculator.com/physics/resonant-frequency-LC

    The L and C reactance cancel each other at resonance and you have a short (ideally) with a series

    resonance circuit or RDC of the L plus ESR of the cap at that frequency plus the 6 ohms in series.

    Call it 7 ohms which is probably the amount required to flatten the impedance, they might over or

    under compensate to shape the response curve as required.

     

    Note then that the 24 uF series cap forms a first order network to the UMD, which does not 

    provide much attenuation at low frequency.  I suppose that they get away with it due to the 

    higher crossover frequency as compared to the AR-3a/AR-11.

     

    Is it correct that all of the drivers are in phase?

  8. We can learn a lot by what is common and not, between them all:

    1.  41-42 Hz closed box resonance (Fc) which is roughly low E on a bass guitar

    2.  Closed box Q (Qtc) of about .8 - .85 ish which makes the half space response less than 3 dB down at Fc

    3.  The OLA and NLA had only about 3mm theoretically linear Xmax (one way) and a huge Xmech of about 13mm.

        We can compute an overload headroom as 20 log(13/3)  = 12.7 dB of overload headroom.

    4.  The OLA voice coil former is a very rugged brass/bronze looking type.  The later versions had and aluminum type.

    5.  The tweeters are just OK, the NLA tweeter has an input impedance that is too low.  If they were voiced less hot

       with more resistance in series then they might work good enough.

    6.  The Jensen design keeps the Advent bass (42 ish Fc and .8 ish Qtc, not sure if Xmax changed) but the 

      crossover voicing is not as good IMO.

    7.  They all need baffle step compensation to sound truly HiFi IMO.

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